Tuesday, 26 March 2019

Why Ragamala Paintings are so famous ? A fusion of painting, poetry and music


Art is nothing but life. When a shift takes in life, automatically a shift happens in art too. Art history reveals how life has evolved over the years along with art, which is the inherent and creative expression of human being. Cave paintings are the examples of the first expression of human being. Continuous evolving has led to refinement and sophistication in living and tastes. Ragamala paintings as a genre which combine painting, poetry and music, are very refined and sophisticated - linear, lyrical, infused with music - this style started way back in the 16th century, in northern India
Change of seasons is always welcome as it brings changes into life through atmospheric change and many other related changes along with it. In an exotic and unique manner, Ragamala Paintings celebrate the seasons through fusion of lines and colors, which bring out poetical visuals.  Ragamala Paintings based on ragas not only give visual treat but also invoke in depth emotions in the viewers, which reflect the emotive qualities of the particular ragas that are sung at particular season and time. There are six ragas mainly—Bhairavi, Dipika, Sri, Malkaunsa, Megha, and Hindola. Ragas are also classified as male and female ragas. Ragamala paintings are based on ragas and worked upon. Through the fine rendering, exquisite composition and color harmony, the essence and melody of  each raga is brought out in such a beautiful manner that the viewer merges with lines and colors and flows into the emotions of the painting the minute he or she sets eyes on it.
These miniature paintings are not meant for the walls, as these are very small and need to be viewed from close quarters. Some paintings are so small that - to view, enjoy and appreciate the details one needs a magnifying glass.
Pancha Bhutas have great significance as life is centered on these - ākāśa, Light, Water, Earth, Air. Because of these five elements life begins and ends. So one worships these elements, each element is revered in the name of a particular god, and devotional songs are written and sung in praise of gods, in India. The songs and music have spiritual and mystical touch.
                                                                                                                                                                Megha means cloud; Malhar means torrential rain. Both ragas are similar and represent monsoon season. This raga is usually performed in the midnight and Lord Krisna is the presiding deity of this raga. So in these paintings, we usually see Lord Krishna as the main form and always  playing flute, his favorite musical instrument.
These paintings have a devotional and spiritual look as these are centered on divine love, passion and submission. These rare paintings depict Indian culture and ethos.

 
    

       Lord Krishna with women is celebrating the rainy season in this beautiful composition. The dark sky is covered with heavy clouds and lightening streaks, the scared birds and snakes are trying to move swiftly to a safe place. Playing  with musical instruments and dancing happily, the women are celebrating the rainy season with Lord Krishna, in a spiritual union. The dark background with heavy clouds invokes a scary feeling in the viewer but the dancing figures in the lower part as a contrast, lightens the effect and lets in one to join and enjoy the mood. Rain also symbolizes romance and fertility. When much awaited rain comes after summer, all living creatures of the world, welcome it with exuberance and rejoice in it. The forms move rhythmically in the space, creating a beautiful design. Lord Krishna is a divine hero, lover, and enchanter. Lord Krishna in blue color, a halo around his head and in rich costumes, dominates the space. The women with fair complexion and delicate limbs are dancing around him. The treatment of the painting is very decorative as lines have been rendered elegantly and sensitively, delicate designs covering the costumes of the figures enhance the beauty of the figures and overall effect. 

 




The scene in the painting is very poetical and magical. Lord Krishna is playing a conch looking towards the sky and it seems he is addressing and welcoming God Varun [ Varun is the god of the water]. The sky is over cast with different shades of grey, the lightening has spread across the sky; the rain has started pouring down, and birds have started flying nest-wards. Holding a big decorative umbrella, the woman is trying to shield Lord Krishna from the rain and another woman is trying to shield herself with her pallu [The edge of the dupatta or sari]. All three of them are enjoying the rain. The clouds, birds and the foliage have been rendered decoratively. The color combination of the painting, mainly grey shades and white with a touch of orange and pinks invokes emotions in viewers.  As human being is part of the cosmos, a strong relation exists between him and nature. However, cultured one might be, but ultimately, the relation with nature becomes important. In all the three paintings, Nature/ Culture, Man/ Women, Man/Animal, spiritual/materialistic - all play significant roles.